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| TW | LW | SONG TITLE | ARTIST |
| 1 | 2 | YOU BELONG WITH ME | TAYLOR SWIFT |
| 2 | 1 | THE CLIMB | MILEY CYRUS |
| 3 | 5 | HER DIAMONDS | ROB THOMAS |
| 4 | 4 | YOU FOUND ME | THE FRAY |
| 5 | 3 | COME ON GET HIGHER | MATT NATHANSON |
| 6 | 7 | FALLIN' FOR YOU | COLBIE CAILLAT |
| 7 | 6 | I'M YOURS | JASON MRAZ |
| 8 | 8 | PLEASE DON'T LEAVE ME | PINK |
| 9 | 9 | HAVEN'T MET YOU YET | MICHAEL BUBLE |
| 10 | 10 | LOVE STORY | TAYLOR SWIFT |
| 11 | 11 | HOT N COLD | KATY PERRY |
| 12 | 12 | BETTER IN TIME | LEONA LEWIS |
| 13 | 13 | VIVA LA VIDA | COLDPLAY |
| 14 | 14 | WHAT ABOUT NOW | DAUGHTRY |
| 15 | 15 | NO SURPRISE | DAUGHTRY |
| 16 | 19 | LOVE SONG | SARA BAREILLES |
| 17 | 18 | BIG GIRLS DON'T CRY | FERGIE |
| 18 | 16 | BUBBLY | COLBIE CAILLAT |
| 19 | 23 | I WANT TO KNOW WHAT LOVE IS | MARIAH CAREY |
| 20 | 28 | APOLOGIZE | TIMBALAND & ONEREPUBLIC |
| 21 | 17 | 1,2 ,3, 4 | PLAIN WHITE T'S |
| 22 | 20 | LOVE REMAINS THE SAME | GAVIN ROSSDALE |
| 23 | 25 | THE SWEET ESCAPE | GWEN STEFANI FEATURING AKON |
| 24 | 24 | POCKETFUL OF SUNSHINE | NATASHA BEDINGFIELD |
| 25 | 30 | UNWRITTEN | NATASHA BEDINGFIELD |
| 26 | 26 | HOME | DAUGHTRY |
| 27 | 32 | HEY THERE DELILAH | PLAIN WHITE T'S |
| 28 | 35 | FEELS LIKE TONIGHT | DAUGHTRY |
| 29 | 27 | KISS A GIRL | KEITH URBAN |
| 30 | 38 | YOU AND ME | LIFEHOUSE |
| 31 | 21 | TIME OF MY LIFE | DAVID COOK |
| 32 | 22 | BLEEDING LOVE | LEONA LEWIS |
| 33 | 39 | CHANCES | FIVE FOR FIGHTING |
| 34 | 37 | YOU'RE BEAUTIFUL | JAMES BLUNT |
| 35 | 31 | CHASING CARS | SNOW PATROL |
| 36 | 29 | SAY | JOHN MAYER |
| 37 | 36 | WAITING ON THE WORLD TO CHANGE | JOHN MAYER |
| 38 | 43 | HOW TO SAVE A LIFE | FRAY |
| 39 | 40 | BEFORE HE CHEATS | CARRIE UNDERWOOD |
| 40 | 42 | BECAUSE OF YOU | KELLY CLARKSON |
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The TPM AC 40 lists the 40 most played songs at Adult Contemporary Radio, as reported to us by ChartWatch Data Services®. It does not distinguish between currents and recurrents. This is due to the nature of the AC format. By utilizing this methodology we are able to more accurately reflect the true strength of currents which receive minimal airplay. When removing recurrents, currents often appear to have greater strength than is actually the case. Also, realistically, this is the manner in which Adult Contemporary stations are actually programmed.
The TPM AC 40 is published here for informational purposes only.
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